© Muzeum Pałacu Króla Jana III w Wilanowie
Kolekcja   Kolekcja   |   23.09.2015

“Mirror” standing clock

  • Malarstwo
  • Christoph Benjamin König
  • Wrocław
  • Before 1735 (works), early 18th century (case), 19th century (replacements of mirror plaques)
  • Brass, steel, lead, line, mirror cut and engraved, carved gilt wood; imitation of black lacquer; relief gildings
  • Ø 29.5 (face), 267 x 70.5 x 49.5 cm (case)
  • Signature on the back board of the works: Christoph Benjamin / König / Breslau
  • Wil.3316

This clock is one of a pair of standing clocks in a case decorated with mirrors, a set unique on a world scale due to the fragile decoration and its history. The clocks represent a period of Baroque fascination with the illusion produced by mirrors applied in the decoration of the Louis XIV Galleries des Glaces at the Versailles, the mirror cabinets of more opulent residences and the decorations of furniture and boxes. The multiplied reflections of the ornaments enhance the effect of lavishness. The shapes of the case as well as the proportions and motifs of the decorations of the Wilanów ”mirror” clock refer to projects by the French royal court decorator Daniel Marot from the end of the seventeenth century. The dial-plate shows the passing seconds, minutes, hours and days of the month. The mechanism was made and signed by the Wrocław clockmaker Christoph Benjamin König, and the weight clock has an anchor escapement and a long pendulum. The clock chimes every quarter of an hour, half hour and hour.

King Augustus II of Poland used a pair of “mirror” clocks as a decoration for one of the halls in the Blue Palace, presented in 1726 to his biological daughter Anusia Orzelska. Once she left for Dresden, the palace became once again the king’s property and a trump card in his efforts to take over Wilanów. In return for a lifelong lease, Augustus II handed over the Blue Palace together with its entire outfitting to Maria Zofia Czartoryska née Sieniawska. In this fashion, in October 1730, the ”mirror” clocks became the property of the new owner of Wilanów. Transferred to Warsaw, they decorated, i.a. the palace in Sieniawa, and not until the second half of the eighteenth century did they appear in the royal apartments of Wilanów Palace.

Anna Kwiatkowska